He recorded over 300 songs, with
total sales of over $33 million. By 1974, he was America ’s best-selling performer.
He earned 12 gold and four platinum albums. He was named the Colorado poet laureate in 1974. Born Henry John
Deutschendorf, Jr., he’s know to the world as John Denver, and his story is
being told in The Road: My Life with John
Denver, which recently opened out at the Ivoryton Playhouse. This
two-hander written by Randal Myler and Dan Wheetman, and directed by Myler,
tells Denver’s story through the eyes of a musician (Wheetman) who worked with the
singer-songwriter over the years and, although there are some pacing and script
problems, the magnetism, stage presence and musicianship of the show’s two
stars keep you happily in your seat for the duration.
Less a juke-box musical, more a
concert with anecdotes and asides, The
Road offers the audience a ticket to travel down memory lane and the
opportunity to listen to two tantalizing voices as they recreate an era – the
60s and 70s -- that, in hindsight, may seem a kinder, gentler time, though
those of us who lived through it know the horror and heartbreak that was part
of those years.
Although Denver , in his songs, never really dealt with
the horror, he did deal with heartbreak, and some of the most touching moments
of the evening are when Danny (David M. Lutken) and, as listed in the program,
the Singer (Katie Deal) offer some of the songs Denver wrote chronicling his
love, his loss and his loneliness.
Katie Deal |
Lutken, as Danny, provides the
framework, such as it is, for the evening, reminiscing about his own career and
how it intersected and intertwined with Denver ’s.
Along the way, Lutken and Deal sing some of Denver ’s most famous songs, including “Rocky
Mountain High,” a rousing “Thank God I’m a Country Boy,” and “Sunshine on My
Shoulder.” There are also some songs that may not be as familiar to the
audience, and several, not written by Denver
but were integral to the era, including a rip-roarin’ “Johnny B. Goode,” originally
recorded by Chuck Berry.
Throughout the evening, Lutken and
Deal interact intimately, with Deal, at times, assuming the persona of Denver ’s wife, Annie, and
at other moments as Penny, Danny’s wife. The interaction is such that the
evening’s final moments seem a bit unbalanced, for Deal leaves the stage,
allowing Lutken to sing the final song to the blackout alone. It seems to be an
emotional misstep. Not wishing to re-write the show, it might be more
appropriate (and emotionally satisfying) to have Deal reappear and the two
offer the tender “Perhaps Love” before the curtain rather than earlier in the
second act, but what do I know?
David M. Lutken |
Deal does reappear with Lutken for
an encore: probably Denver ’s
most iconic song -- “Take Me Home, Country Roads.” The audience is urged to
sing along (as they often are during the evening), and although it’s not a Mamma Mia dancing in the aisles
response, voices are raised.
Although the script falls flat at
various times, the evening is carried effortlessly by these two charismatic
performers, who also worked together in Milwaukee ,
where the show premiered. Playing a range of acoustic instruments, and
vocalizing and harmonizing as if they have been singing together since they
were both in their cradles, Lutken, with his down-home manner wry smile, and
Deal, a true “Geogia peach,” are a joy to just sit back, watch and listen to.
And it would seem that the two just can’t get enough of what they are doing,
for at the curtain call Lutken announced that after the Sunday matinee he would
wander over to a local tavern for, of all things, a hootenanny (and drinks),
and invited all to attend (bringing whatever instruments they so choose). Now,
that’s a first.
The
Road may not be perfect theater, but it is, in just about every other way,
a perfect evening, especially for those who, at their weddings, chose a John
Denver song to dance to as their first appearance as a couple.
The
Road runs through April 24. For tickets or more information call
860-767-7318 or go to www.ivorytonplayhouse.org.
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