By Geary Danihy
The Westport Country Playhouse is
currently boarding a lovely production of Lynn Nottage’s “Intimate Apparel,”
sensitively directed by Mary B. Robinson. This touching, engaging, funny play
about a black seamstress living in New York City in 1905, inspired by the life
of Nottage’s great-grandmother, speaks to many issues without resorting to
diatribe or shrillness. It can be enjoyed on its surface level, for it is a
linear drama complete with rising action, climax and denouement, as well as for
its exploration of the social issues that swirl, and sometimes boil, within the
melting pot metaphor.
The play opens with Esther (the
superb Nikki E. Walker), a black seamstress, working at her sewing machine in
the boarding house room she has lived in for the past 15 years. She is soon
visited by Mrs. Dickson (Aleta Mitchell), the owner of the boardinghouse, and
their conversation establishes the major dramatic theme that will drive the
play: Esther is 35 years old and fears that she will never be married. However,
the matron gives her a letter from a man named George Armstrong (Isaiah
Johnson), a native of Barbados
who is currently in Panama ,
a laborer working on the dig that will eventually become the Panama
Canal . He has been told about Esther by one of his fellow workers
and has decided to write to her, hoping that she will write back and ease his
loneliness.
Isaiah Johnson
Disregarding Mrs. Dickson’s
reservations, Esther is inclined to respond, the only problem being that she
can neither read nor write. Reluctantly, she explains her problem to one of her
clients, Mrs. Van Buren (Leighton Bryan), a white, childless socialite whose
husband has begun to wander, and the lady, on a lark, suggests that she help
Esther correspond with George. Letters travel back and forth, some of Esther’s
written not by Mrs. Van Buren but by Mayme (Heather Alicia Simms), a black
prostitute whom Esther has befriended.
Leighton Bryan and Nikki E. Walker
As the epistolary romance grows,
Esther continues to ply her trade, which entails her visiting Mr. Marks (Tommy
Schrider), a Jewish draper who works out of his apartment. The two are
attracted to each other, but race and religion create insurmountable barriers
and the only way they can express their feelings is through discussions of the
richness – the feel and touch – of the various wares Marks has to offer.
Tommy Schrider and Nikki E. Walker
The first act ends with George’s
arrival in New York .
The couple, with Esther dressed in a bridal gown, meet for the first time and,
on a darkened stage, turn to face the audience, as if posing for a wedding
picture. Superimposed above them is the caption: “Unidentified Negro Couple ca.
1905,” evoking the thrust of Ralph Ellison’s “Invisible Man,” the 1952 novel
that deals with, among other things, the idea that African Americans were not
seen as distinct people but rather perceived and defined by the stereotypical
roles they filled, that as human beings they were essentially invisible to the
white society in which they lived.
Nikki E. Walker and Heather Alicia Simms
The second, somewhat darker act
deals with Esther’s relationship with her new husband and her growing awareness
of her own self-worth, an awareness that brings her full circle back to Mrs.
Dickson’s boarding house, somewhat sadder but also a great deal wiser. The play
ends with another “photograph” -- as Esther sits at her sewing machine, again
on a darkened stage, there is another caption: “Unidentified Negro Seamstress
ca. 1905.” Of course, for the audience, she is not an “unidentified Negro
seamstress,” she is Esther, a woman the audience has come to care deeply about,
a human being who shares with the audience members the fears, desires, dreams
and defeats that are the warp and woof of life.
The cast that brings this story to
life is superb. One might only question Johnson’s accent, for he often sounds
as if he is more from County Cork than from Barbados, but you can’t question
the strength of his performance nor that of any of the other actors, all of
whom play off Walker’s marvelous evocation of a woman trembling on middle-age
spinsterhood who rolls the dice in the hope that life will allow her to walk
away a winner. In the end, she does win, but not in the way she had hoped.
“Intimate Apparel” runs through
Nov. 1. For tickets or more information call 203-227-4177 or go to
www.westportplayhouse.org.
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